FMP case studies

I Listened to all the case studies available. I was already familiair with half of the work; I follow most on Insta and met them during classes, Some I met in person at Unseen in Amsterdam There they talked about their progress for the FMP. I also saw the talkes, online that were presented at the 1:1 at Falmouth this year just before Covid19 shut everything down.

I also visited their CRJ's or website after seeing the case studies.

Thanks for sharing your stories: Andrew Brown, Gem Toes-Crichton, Danny North, Daniel Simon, Anthony Prothero, Rita Rodner, Kate Watson, Gemma willis and Chris Northey.

Websites/CRJ's I visited after looking at the case studies

• BROWN, Andrew. CRJ. Available at: https://atomised.co.uk/category/journal/final-project [accessed at 31 May, 2020]

• NORTH, Danny. Website and CRJ. Available at: https://www.dannynorth.com [accessed at 31 May, 2020]

• NORTHEY, Chris. Website. Available at: http://www.man-blu.com.[accessed at 31 May, 2020]

• PROTHERO, Anthony. Website. Available at: https://anthonyprothero.co.uk.CRJ. Available at: https://anthonyprothero.net/research-journal[accessed at 31 May, 2020]

• RODNER Rita. Website and CRJ. Available at: https://www.ritarodnerphotography.com/crj[accessed at 31 May, 2020]

• SIMON, Daniel. CRJ. https://danielsimonphotography.blog [accessed at 31 May, 2020]

• TOES-CRICHTON,Gem. Website and CRJ. Available at: https://www.capturedbygem.co.uk[accessed at 31 May, 2020]

• WATSON, Kate. CRJ. Available at: https://katiejanewatson.wordpress.com [accessed at 31 May, 2020]

• WILLIS, Gemma. CRJ. Available at: https://gemmawillisma.wordpress.com [accessed at 31 May, 2020]

What I learned from seeing the case studies:

• Experiment, explore a lot; not a problem with me it is what drives me.

• Collaborate as much as you can, you get more angles, depth, insight and a better product. This is something I have to explore.

• At the end you have to have a kind of resolved total to have everything together. That is what I don't have at the moment.

• Read and see a lot, investigate, doesn't have to be something that has to do with your own project, your own genre.

• For the proposal; keep it broad.

• Do workshops.

• Do something you like not something that is expected, makes you happy and gives fun, keep having playfulness.

• Be open minded, take everything on board, think, read and make

• Trust your intuition.

• Make loads of work.

• Different media creates different meanings for the work; how do you create meaning and what is the role of the viewer; have to think about that.

• Who is your audience and how do you connect with them.

• Ask yourself questions to resolve.

• The proposal; deepens what you want to do, metrology, structure, time path, ecstatics. For work of others: what are similarities and contrasts to your work; what are the specifics; it is a roadmap.

Some notes I made for myself and links to invest

• Collaberate: KNMI, Delft university and Wageningen,

• Layers and transparancy

• Understanding photography

• Rubenstein essay

• Tate: shape of light

• Pixel processing. Of course, every RAW image goes through a pixel process program.

• Lytro

• Thomas Ruff http://www.artnet.com/artists/thomas-ruff/

• https://www.youtube.com/watch?v=ApZdUNKO0pA

• https://www.nationalgeographicfotowedstrijd.nl/

• https://www.sunnyartcentre.co.uk/artprize/?gclid=CjwKCAjwiMj2BRBFEiwAYfTbChu63lN3Bvi719pdz_B99_7zya3AOMVmmnYynGKI_kWXaF2BZoHHmRoCN4oQAvD_BwE

• Steven Gill https://youtu.be/jMBb9ncBw00

• https://www.youtube.com/watch?time_continue=1&v=jMBb9ncBw00&feature=emb_logo

• https://processing.org/download/?processing

• http://datamoshing.com/2016/06/16/how-to-glitch-images-using-pixel-sorting/