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IC w9 Photomuseum online

  • HildeMaassen
  • Mar 25, 2020
  • 2 min read

Updated: Aug 15, 2020

The Dutch photo museum can be seen online in one minute videos. (English subtitels).

In this video you see how Toon Michiels built a box, he often did. A very intimate way to handle photos. He also often drew about the photos, his way of manipulation.

This photo of a horse jumping over the table is one of my favorite photos. Always appealed to my imagination

This video about Stephan van Fleteren and his selection from the archive tells as much about the images as about himself. I am a huge fan of Stephan Vanfleteren. The use of light, his drive and also the intensity, personality that can be seen in his work and that you also see when he talks about photography.


Never thought so much about the fact that when you were shooting on the square format you just had one less choice. I always said that I "look square" the way you have to fill an image is different. You do not have the speed in a square composition, that you can put in an image by leaving extra space on one or the other side or up. The theories examined in the style (Mondriaan) were about horizontal and vertical lines.



I sent this video below, about water, earthquakes in Japan and looking at photos because you are doing something yourself at the time, so that you are looking for that in the work of others, too, because it suited my projects.


Sources:


  • DUMAS, Charlotte. 2018. The Collection Illuminated by Charlotte Dumas. Available at: https://youtu.be/GG_Wyhn4Jb4 [accessed 25 March 2020].

  • MICHIELS, Toon. 2019. Archive Dive #18 Sigarendoosje Toon Michiels. Nederlands Fotomuseum. Available at: https://youtu.be/mbEmkQJAn2k [accessed 25 March 2020]

  • WALLRAFEN, Hannes. 2020. Archive Dive #20. Hannes Wallrafen - Schimmel. Available at: https://youtu.be/kH5YJ4-rOGo [accessed 25 March 2020]

  • VANFLETEREN, Stephan. 2015. De Collectie Belicht door Stephan Vanfleteren - Interview. Available at: https://youtu.be/Aoiq6LAgDoQ [accessed 25 March 2020]


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© 2019 by Hilde Maassen 

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