FMP CRoP and images maquette

Working so very hard on my CRoP that I forget to write my CRJ. The document grows slowly. Of course I am already above 2500 words and have decided to collect everything first and then delete it. In the meantime, images were also taken because the images are needed to illustrate the CRoP. I would love to send emails to important people to get feedback but there is no time. Work is much busier than ever. By partially teaching online, students assume that we are always available. More and more teachers are at home with burnout complaints.

Made a list of things that I have done and what to mention/show in my crop, and what not because I have done far to much to write about it all.

Concentrate this CRoP on 4 of the sub-series I made:

• 2D > 3D images

• In-between

• Vases

• Sound of the image

Other sub-series on clouds

• Topographic maps

• Surface maps

• Series about clouds

• Close-ups

• Augmented reality

• Paper film structure

• Lenticular prints

• Interrupted surface

• Vinyl record

In the meantime, my vases are ready but are still drying so that they can be bisquit fired and transported more safely. That will all be close in terms of time. The vase that collapsed turned out not to have been thrown away and it will therefore also be finished.

I retouched all the images that I got of the artist. The first one is the vase that I get extra: a really happy accident as far as I am concerned.

I can't glaze anymore. I feel that we have less time for the entire project because the CRoP has to be submitted 3 weeks earlier than a year ago.

Here I visualised how the laserprints that I made in acetate with light could look in an exhibition and I did the same for the vases on pillars. (in total 5 images)Never before had objects this small that looked real The biggest vase you see in the image is 4 cm.

I had small 9x9cm 3D prints of surface clouds and was in the maquette struggling with hanging it. I thought I could do it a little easier with the help of cotton wool. In addition, I found the hardness of the prints compared to the soft, woolly cotton wool a beautiful and symbolic contrast. These I can see big but also the real, now printed size exhibited.

I did a test to emulsion lift a Polaroid image on this ones: with succes. But didn't document it, yet.